Related Paintings of unknow artist :. | Cross with the Crucifixion | Ladies as am mounting from sang | Classical hunting fox, Equestrian and Beautiful Horses, 161. | Weld Meninas | Harlech Castle |
Related Artists:
CORNELIS VAN HAARLEM
Dutch painter (b. 1562, Haarlem, d. 1638, Dutch painter and draughtsman, was one of the leading Northern Mannerist artists in The Netherlands, and an important forerunner of Frans Hals as a portraitist. Cornelis Corneliszoon was a member of the Mannerist school of Haarlem, which was highly influenced by the work of Bartholomeus Spranger, whose drawings were brought to Haarlem by Carel van Mander in 1585, and had a strong immediate effect.[1] He painted mainly portraits as well as mythological and Biblical subjects. Initially Corneliszoon painted large-size, highly stylized works with Italianate nudes in twisted poses with a grotesque, unnatural anatomy. Later, his style changed to one based on the Netherlandish realist tradition. When his parents fled Haarlem in 1572, as the Spanish army laid siege to the city during the Eighty Years' War, Corneliszoon remained behind and was raised by the painter Pieter Pietersz., his first teacher. Later, Corneliszoon studied in Rouen, France and Antwerp, Belgium. Corneliszoon in 1583 received his first official commission from the city of Haarlem, a militia company portrait, the Banquet of the Haarlem Civic Guard. He later became city painter of Haarlem and received numerous official commissions. As a portrait painter, both of groups and individuals, he was an important influence on Frans Hals. Together with Carel van Mander, Hendrick Goltzius and other artists, Corneliszoon formed the Haarlem Academy or "Haarlem Mannerists". Probably this was a very informal grouping, perhaps meeting to draw nude models, and certainly to exchange artistic views.[2] Corneliszoon also played a role in reorganizing the Haarlem artists' and artisans' Guild of St. Luke, eliminating its medieval organization and raising the status of the artists. Corneliszoon married Maritgen Arentsdr Deyman, the daughter of a mayor of Haarlem, sometime before 1603.
Nicolae Vermont
(October 10, 1866 - June 14, 1932) was a Romanian realist painter, graphic artist and muralist. He was noted for his wide range of subjects and his interest in social issues, and was an associate of the post-Impressionists Ştefan Luchian and Constantin Artachino, as well as a friend of the controversial art collector and political figure Alexandru Bogdan-Piteşti. Born in Bacău, Vermont belonged to the Jewish community. Late in his life, Vermont abandoned Judaism and converted to the Romanian Orthodox Church. He began his career in 1884, as a contributor to the journal Universul, while studying with Theodor Aman at the Academy of Fine Arts in Bucharest (graduated 1886). Vermont completed his training at the Munich Akademie der Bildenden Kenste (1893). He was able to attend the latter institution after being endorsed by the major Romanian artist Nicolae Grigorescu.
Etienne Aubry
Etienne Aubry, who was born at Versailles in 1746, studied under J. A. Silvestre and Joseph Vien, and soon became noted for his portraits and genre subjects. He exhibited several works of great merit at the Salon; but his life was cut short in its prime in 1781, in which year he had exhibited the 'Parting of Coriolanus from his Wife.'